GUY LITTLE CREATIVE

Photo : Another print run for Irid Gallery, the series is , "A romance in reverse", shot in Wales, UK 2000. A Hahnemuhle afternoon. Guy Little © 2026 Or is it a bit of both Science and religion seek. Is photography about seeking or accepting? Think seriously on this. Do you only photographically seek if you come to things with a mind full? Do you only photographically accept if you come to things with a mind emptied. Reading : Meditations by Krishnamurti Watching : Profes

Ansel Adams Zone System How many photographers get this wrong or confused. Seeing colour and light are two different things. The foundation to become a good colour photographer is B&W. How else do you learn to look, see, expose, post and print for tonality if you have no basis in B&W. Otherwise you just end up chasing colour, chasing busy. And wonder why your work lacks depth, mood and does not sell or resonate. Mood is primarily created by light and tonality. If you don’t un

Photo : Inferno test prints, shot on Hasselblad SW/CM. Guy Little © 2026 Inferno 1992 Here is print run of an image I took in 1992 at Cobar western NSW of a mining abandoned slag heap. The title comes from the entrance to hell in Dante's Inferno. One of the things I like about this, is the ambiguity of scale. the cave entrance is many stores high. Back to doing a new print run of a photo I took in 1992. Just working on opening the shadows a bit more from the proof on the left

After the previous blog entry about Goya I thought I'd stay on the Spainish theme. Here are some B&W images from a trip to Spain in 2000. All below images are shot on the Hasselblad SWC/M on film. Photo : Guy Little © 2000 Photo : Guy Little © 2000 I’m not so interested in the obvious view, the easy shot, but what interested me more was the support, the stonework and texture that had supported these structures over hundreds of years. Photo : Guy Little © 2000 Photo : Guy Lit